WORKS
Selection
Up to 2016: 145 works for different ensembles. Since 1991, Josep-Maria Balanyà has mainly focused on the sound possibilities of piano. Since 1994 several new works have emerged as a result of this research with the addition of other non-conventional instruments-objects. These new works can be brought together under the label of "Acoustic experimental art". All these works relate to instantaneous composition.
Piano
"Onomatopoeia" Op. 51 (1994), two pianos for four hands.
"Elements of development number three" Op. 54 (1994), solo piano.
"Spandica" Op. 66 (1995), two pianos.
"Good work for bad pianos" Op. 73 (1997), piano and typewriter.
"Y cuando oigas el agua caer..." Op. 74 (1998), piano and text.
"Sonatesca gutural" Op. 76 (1998), piano and voices.
"Y-akt-Y benu" Op. 86 (2000), prepared piano.
”Un peu à gauche, svp” op. 108 (2003), extended piano
“Dilemma And Shining” Op. 144 (2016), piano
Piano with stage design / choreography / multimedia
"Ultramarinos 451" Op. 50 (1994), two pianos and one pianist.
"Aldarull per a vuit mans no promíscues" Op. 68 (1995), piano for eight hands.
"Coitus in Frequentus" Op. 69 (1996), piano, soprano and contralto.
"ZLS Ouverture" Op. 78 (1998), piano, performer, CD.
"Radiografia de la nit" op. 97 (2002), soprano, piano, video, electronics, CD.
Piano and live electronics
"Macaccos macaccos" Op. 55 (1994)
"Profundus tremens" Op. 58 (1994)
"Aqua aeterna" (1999)
Acoustic experimental art
"Kratzklang Etude" Op. 77 (1998), engraving tools, amplification.
"Baltikumgedicht 39,1999" Op. 80 (1999), mechanismus of two upright pianos, computer, fax machine, telephone, photocopy machine.
"Interior número uno" Op. 81 (1999), harp of a piano, CD.
"Metallika vespertina" Op. 85 (2000), mechanisms of piano.
"Sommier primo" Op. 90 (2001), spring mattress, objects and amplification.
"Cinco exteriores ke cuelgan" Op. 93 (2001), metal objects, amplification.
”Intrus@” Op.112 (2004), somier i dansa, junt amb Elena Albert“77 TrierWest” Op. 141 (2012), sound sculpture.